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jezebel
Joined: 18 May 2005 Posts: 53
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Posted: Wed May 25, 2005 2:39 am Post subject: for writers |
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a question of curiosity for those of you who like to write:
Are there certain environments in Asia that you find inspire your writing more than others? Did you choose to teach english in a particular locale because you thought it would be good for your writing? (eg, urban Seoul to people-watch, or Cambodia for some beautiful shrines to inspire deeper meaning to what you write, or Japan to provide backdrop for your modern samurai tale?)
Is there an Asian equivalent to the writer's stereotypical coffee shop, where you can sit and write in peace (more or less) for an hour or two? Do you find that community-oriented cultures like Japan or China provide fewer opportunities for an individual to sit alone and write in a public setting? Or are there unique advantages???
It seems like TEFL is the ideal thing for many young writers to do - maybe the modern-day version of staffing a trading post in the colonies or sailing to the tropics to classify new species. How do your TEFL life and your writing life mix? |
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GambateBingBangBOOM
Joined: 04 Nov 2003 Posts: 2021 Location: Japan
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Posted: Wed May 25, 2005 3:03 am Post subject: |
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I find the "open concept" (seating arrangement with no walls) in the Japanese workplace to be highly detrimental for writing anything (or even thinking outside the box- maybe that's the reason for the open concept in the first place!- I do most of my lesson plans at home).
Same for coffee shops. Starbucks are really way too crowded and/or getting stared at with "AMERIKA JIN AmerikaJin dayo!" getting yelled towards you every ten minutes or so (I'm actually not from the US, but that's the deal here) is not great for writing.
But a pen and notebook (or a laptop) and an apartment without the distractions of anything worth watching on TV coupled with my totally empty fridge (b/c I'm just that awesome when it comes to cooking for myself- 7/11 obento nearly every night) is pretty good for writing. 'Too bad' I have a huge stack of mostly paperbacks to read, (and a martial art hobby that keeps me busy three weeknights a week) though. I guess I need to put more of an effort into writing (except for on internet discussion pages -guilt! guilt!- ... ) |
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Glenski

Joined: 15 Jan 2003 Posts: 12844 Location: Hokkaido, JAPAN
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Posted: Wed May 25, 2005 4:38 am Post subject: |
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Write, as in write the Great Novel? (or perhaps articles for the hometown newspaper?)
If you can't write at home, Japan affords a luxury of coffee shops, in which you can order one cup and nurse it for more than an hour undisturbed while you do anything you like. |
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Norman Bethune
Joined: 19 Apr 2004 Posts: 731
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Posted: Wed May 25, 2005 5:09 pm Post subject: Re: for writers |
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jezebel wrote: |
Is there an Asian equivalent to the writer's stereotypical coffee shop, where you can sit and write in peace (more or less) for an hour or two? Do you find that community-oriented cultures like Japan or China provide fewer opportunities for an individual to sit alone and write in a public setting? Or are there unique advantages???
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In my part of China, tea-shops abound where I can sit and write on a comfortable sofa all day and all night if I want.
For the cost of a superior pot of tea (about 25 Rmb, 3 USD, 4 CDN,) in an upper-end tea shop, I can get peace and quiet to write. If the shop is really good, it will have some interesting Chinese music playing in the background to inspire my muse. The right tea shop is the kind where lovers go to be alone to talk. The lighting is muted, but not so dark as to be unable to write.
The staff will not ask me to move on because I have been sitting in the same seat for hours writing drinking only tea. In fact, they will come by often and refill the tea pot and a thermos with hot boiling water. The only draw back is that time passes so quickly in the ambient light of the shop. Arrive at 9 o'clock at night, and before you know it, it's 4:30 in the morning. |
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tedkarma

Joined: 17 May 2004 Posts: 1598 Location: The World is my Oyster
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Posted: Thu May 26, 2005 3:00 am Post subject: |
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I don't generally find the settings inspirational, but - the great free time I get with a university job - gives me lots of time to write. I've published about six books (just finished a couple more in publishing process). I work a four day week - so one or two days I sit at home (or go to the office) and write or work on other projects. But, they are EFL related textbooks.
If I was smarter I'd write a really good Elmore Leonard style book about nutty people overseas . . .
Maybe a John Travolta-esque character running a joint down in southern Thailand who gets in a scrape with the local mafia . . .
Whoo hooo - here we go . . . the next book is coming - I can feel it!
(well, maybe I do feel the setting inspirational) |
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merlin

Joined: 10 May 2004 Posts: 582 Location: Somewhere between Camelot and NeverNeverLand
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Posted: Thu May 26, 2005 5:56 am Post subject: |
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I tried writing in a Korean Soju tent once. I got as far as "They call me Yong-Jun"
Seriously, though. I can never sit down and say "I'm going to write something". When a thought strikes me I just have to whip out whatever napkin, toilet paper (preferably unused) or fish and chips wrapper and get the idea down then and there or the idea's gone forever. I know it's utterly hopeless for me to even dream of getting anything finished (or even started) with this kind of system - but the thoughts are just too good to let go.
I think the next time I get some extra cash I'll buy one of those digital pen-sized recorders and start recording other people's nonsensical coffee shop dialogues. Yeah, yeah, illegal shillegal. But who will know? It'll be for the screenplay "People who aren't really friends but just hang out together in delis for some reason" Think it's too long?
No way I'd ever go to a coffe shop with the expressed purpose of writing, though. Seems a bit narcissitic to me. |
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31
Joined: 21 Jan 2005 Posts: 1797
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Posted: Thu May 26, 2005 6:45 am Post subject: |
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''
It seems like TEFL is the ideal thing for many young writers to do - maybe the modern-day version of staffing a trading post in the colonies or sailing to the tropics to classify new species.''
Duh?
Staffing a trading post, classifying new species and TEFL. What is the difference? Two are useful jobs with prestige that require good qualifications and the other is a loser job that any native speaker can get, has no prestige and where you are despised in your own country. |
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jezebel
Joined: 18 May 2005 Posts: 53
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Posted: Thu May 26, 2005 9:05 pm Post subject: |
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31 wrote: |
''
Duh?
Staffing a trading post, classifying new species and TEFL. What is the difference? Two are useful jobs with prestige that require good qualifications and the other is a loser job that any native speaker can get, has no prestige and where you are despised in your own country. |
Wait, since when did staffing a trading post earn you prestige in your home country? That's the kind of job that colonial Brits got if they were upper class *but just barely*. As in, sure, you can have a government job, as long as you don't mind shipping off to barren Canada, bipolar India, or deepest Africa. Why don't you try working in a trading post in freezing, undeveloped 18th century Canada and tell me how prestigious you feel. Then again - aside from your 2 or 3 costaffers who share your cottage and work at the post with you, and the random Native that stops by every few days, there aren't exactly a lot of people around to feel prestigious compared to.
Hmm, a "loser job" that anyone can get? What about seaman? Or army cadet in general - they may be brave, but it doesn't take a whole lot of skill other than youth. If the navy and army are so prestigious, why is it that the poorest individuals are usually the ones to sign up? How many contemporary Europeans viewed scurvy-ridden sailors with loads of respect? Joseph Conrad served on a British ship in order to avoid Russian military service and debts - but only after he unsuccessfully tried to commit suicide. It doesn't mean he didn't love sailing - but I'm not sure how much respect it earned him in British culture (aside from earning him British citizenship). George Orwell was a police officer in British India - so he had two populations who hated him.
Other writers chose specific jobs that allowed them to travel - even if these jobs were dangerous or not very prestigious. Arthur Conan Doyle (author of Sherlock Holmes books) was a doctor, but he didn't choose a safe, reputable London practice initially - he chose to serve as a doctor on a ship traveling to Africa, a work environment that wasn't exactly comparable to a modern cruise.
L.M. Montgomery, author of the Anne of Green Gables books, worked in a post office. Charles Dickens was a stenographer. Steven King was an english teacher - granted, not an ESL teacher, but he lived in a trailer in Maine, which can't be worse than most ESL teachers' living conditions. Oh, and Harry Potter's J.K. Rowling was a welfare mother.
I'm not sure why you don't see the relationship - writers very often tend to pick non-taxing jobs that pay the bills and still leave the intellectual energy to write at the end of the day. The writers who do seek professional-level employment tend to either (i) become english teachers or professors (many of whom choose to teach ESL abroad or locally), or (ii) choose professions like law or medicine that they incorporate into their writing (though these professions are very taxing, and sometimes push their employees to take breaks -- it's not that unusual to find former lawyers teaching ESL in Asia for a year).
But the best employment to support a writing hobby (especially in the early years) is one that gives the mind room to wander - either on the job (as any imaginative factory worker will tell you) or outside of it (like, gee, I don't know, maybe exploring a new country?). If you're not a bourgeosie to begin with (which, IMHO, usually doesn't help your writing) then the only way you can afford to travel and inspire your writing is through "loser jobs" like ESL teaching, au pair, or other tourism positions. Because honestly, if writing is what I really want to do, I'm not going to waste my time training for some non-"loser" profession that's only going to steal my energy and turn me into a hostile soul like you come across as. I've trained for government jobs that pay $55,000 to start, but I'm more than eager to give up the intellectual vampirism to teach ESL in Japan or Korea. Because if you can't choose adventure in your own life, how are you supposed to make a reader think your writing is any more adventurous? |
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tedkarma

Joined: 17 May 2004 Posts: 1598 Location: The World is my Oyster
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Posted: Thu May 26, 2005 9:38 pm Post subject: |
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My "loser job" has given me ten weeks to four months vacation per year and savings of up to US$1500 a month since 1992.
Entry level jobs suck in almost every career field. Further your education and skills and EFL can lead to a very nice situation.
Personally, I don't care what people back home think. They seem to have a good time when they come to Phuket and hang at my house near Bang Tao Beach . . .
Uh, envious might be the right word.  |
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merlin

Joined: 10 May 2004 Posts: 582 Location: Somewhere between Camelot and NeverNeverLand
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Posted: Fri May 27, 2005 6:05 am Post subject: |
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Wit a minute, Jezebel - The first three authors you mention became writers AFTER their sucky job experiences. It's not that they said "Oh, I'd like to write a book - what kind of job will give me material." No, they got a sucky job that in some way transformed them and DROVE them to write about it.
Eric Blair shot the elephant first and hated his job for quite a long time before he actually sat down to write about it under the name George Orwell.
Corad and Doyle the same.
Their works are so moving not because they got jobs where they could waste away their free time hours in a coffee shop pretending to be an intellectual, poet or novelist. Their works are so moving because they pushed the envelope and years later were able to reflect on the event from another perspective.
You see, you're in the future looking backwards in time and see the finished product and later how it started while the authors started with the experience and later produced the finished product.
Time continuums can confuse things, can't they? |
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31
Joined: 21 Jan 2005 Posts: 1797
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Posted: Fri May 27, 2005 7:23 am Post subject: TEFL Charlatans |
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Well said Merlin.
This job is full of wannabe writers, poets, film directors etc. Oh I am really a writer.... Why can`t TEFL attract people who actually want to teach. So many places are full of fantasists who have to brown nose the boss to try and get out of the classroom. Going into tefl in order to write a book that nobody would ever read and then saying its the same as being in a trading post or classifying new species, sad. |
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younggeorge
Joined: 15 Apr 2005 Posts: 350 Location: UAE
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Posted: Fri May 27, 2005 8:16 am Post subject: |
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Merlin & 31: People come into this business for all kinds of reasons and with all kinds of ideas. Many of them make a go of it and all of them add to the richness of the experience. Yes, the analogies are a bit naff - didn't know whether to laugh or cringe, myself - but let the girl have her fantasy! |
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31
Joined: 21 Jan 2005 Posts: 1797
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Posted: Fri May 27, 2005 9:49 am Post subject: |
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A bit naff? These people are a nightmare to work with. They always leave, often in a midnight flit and leave the rest to pick up the pieces. I am working with one now who won`t teach what he is paid to, screws up and will eventually leave, leaving me and my hardworking colleagues to clean up his mess. |
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merlin

Joined: 10 May 2004 Posts: 582 Location: Somewhere between Camelot and NeverNeverLand
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Posted: Fri May 27, 2005 11:08 am Post subject: |
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Quote: |
They always leave, often in a midnight flit and leave the rest to pick up the pieces. I am working with one now who won`t teach what he is paid to, screws up and will eventually leave, leaving me and my hardworking colleagues to clean up his mess. |
Sounds like good material for a sub-plot in a book
I don't want to be too judgemental about this. I think a large portion of the population would like to be fiction writers. Me included. But my personal and basically nonauthoritative opinion is that the most powerful themes come through living a life to its fullest and reflecting on it afterwords from more informed perspectives and insight.
There are genres where one can sit in a cafe and write about whatever comes to mind but Orwell and Conrad aren't the best examples, which was my main point.
Now if you use the drunkard that wanders into the cafe as a character in a book, or start a brawl in the cafe and write about that ...
Yes, TEFL can contribute to broadening the mind, but "intellectual vampirism" is not unknown to us, either. There are ups and downs but a lot of people feel emotionally drained after a long day teaching, especially if they're in an "entertainment" oriented program. |
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Atlas

Joined: 09 Jun 2003 Posts: 662 Location: By-the-Sea PRC
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Posted: Sat May 28, 2005 1:54 am Post subject: |
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Writing in a coffee shop only seems narcisstic because it is somewhat archetypal, or even caricaturish.
But in the end, writers write. I see nothing wrong with writing in a coffee or tea shop, simply because it's nice to get out of the house and have some coffee.
It doesn't matter. Writers put pen to paper no matter what. Personally I find the cafe to be conducive to writing, particularly at the brainstorming stage. Then when my brain is full, a nice walk in the park does wonders for the perspective.
It's not as if we're debating socialism with Gertrude Stein over espressos. |
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