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Any published writers out there?
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Scotticus



Joined: 18 Mar 2007

PostPosted: Mon Oct 20, 2008 7:38 pm    Post subject: Reply with quote

Cornfed wrote:

I'd tend to agree. Poetry really needs to be written by the Muses. It should come from outside yourself.


Holy crap, Cornfed. You've gone from being a stodgy old traditionalist to a wanna-be ancient Greek.

Talk to/read interviews with ANY great poet and they will tell you that this is not true. They all say the same thing; poetry is a craft that needs to be worked on constantly to improve upon. There is no invisible hand guiding the pen; only a person dedicated to their work with drive, talent and motivation.
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ddeubel



Joined: 20 Jul 2005

PostPosted: Mon Oct 20, 2008 8:02 pm    Post subject: Reply with quote

Quote:
Talk to/read interviews with ANY great poet and they will tell you that this is not true. They all say the same thing; poetry is a craft that needs to be worked on constantly to improve upon. There is no invisible hand guiding the pen; only a person dedicated to their work with drive, talent and motivation.


Scotticus,

You overplay your hand and over state your case. Your paint by numbers version of poetry is ill informed and I don't think ANY great poet would claim that there isn't a feeling of "flow" and rapture when writing well.

Of course there is lots of work and I"m sure Cornfed agrees. Read, study, master, love, take risks, live boldly, digest all experience continually and mould it into metaphor. But don't let it become a game of "success" and "being published" ..... it is an art more than a craft. Even Beowulf echoed this in "lyfe so shrt, the crft so hrd to lern."

or as this poem infers,

What beauty in the brillant sun!
Or is that beauty in my eye?
Or perhaps somewhere between,
Drifting with indifferent sky.

What evil oozes from the witch!
Or is that sweetness in my ear?
Or perhaps somewhere between,
Where witch and I are of the same kind.

How sweet the sound of Orpheus' lyre!
Or is that sweetness in my ear?
Or perhaps somewhere between,
Hidden by the wind unseen.

From where comes the essence of anything?
Does it come from the self as the doctors say?
Does it come from the thing as the natives pray?
From where comes the essence of anything?
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Poemer



Joined: 20 Sep 2005
Location: Mullae

PostPosted: Mon Oct 20, 2008 8:31 pm    Post subject: Reply with quote

Scotticus wrote:
Cornfed wrote:

I'd tend to agree. Poetry really needs to be written by the Muses. It should come from outside yourself.


Holy crap, Cornfed. You've gone from being a stodgy old traditionalist to a wanna-be ancient Greek.

Talk to/read interviews with ANY great poet and they will tell you that this is not true. They all say the same thing; poetry is a craft that needs to be worked on constantly to improve upon. There is no invisible hand guiding the pen; only a person dedicated to their work with drive, talent and motivation.


The great poet Jack Spicer would disagree wholeheartedly with that statement Scotticus. If he isn't mainstream enough for you, the poetry of the most revered living American poet, John Ashbery, would stand as testament in opposition.
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Scotticus



Joined: 18 Mar 2007

PostPosted: Mon Oct 20, 2008 9:13 pm    Post subject: Reply with quote

I love that I have grown adults in the 21st century, apparently seriously, supporting the idea that the poet is merely a vessel for some higher power to pour forth verse. Wow.... just wow.
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Koveras



Joined: 09 Oct 2008

PostPosted: Mon Oct 20, 2008 9:22 pm    Post subject: Reply with quote

Scotticus wrote:
I love that I have grown adults in the 21st century, apparently seriously, supporting the idea that the poet is merely a vessel for some higher power to pour forth verse. Wow.... just wow.


If that's how some poets experience it, who are you to scoff? Add Wordsworth, Blake, and Shelley to the list.
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Poemer



Joined: 20 Sep 2005
Location: Mullae

PostPosted: Mon Oct 20, 2008 9:46 pm    Post subject: Reply with quote

Scotticus wrote:
I love that I have grown adults in the 21st century, apparently seriously, supporting the idea that the poet is merely a vessel for some higher power to pour forth verse. Wow.... just wow.


Well, the seeming improbability comes from your characterization, and perhaps limited understanding, of the idea that poetry can come from somewhere other than the ego.

It seems equally ridiculous to me that someone would think that poetry is exclusively an activity, like baking bread or building a bookshelf, that anyone can do with sufficient instruction, as opposed to an art that requires, yes, seriousness of mind and effort, but also a whole host of other things that are largely beyond the consciousness of the individual and certainly are beyond his/her control. You cannot just will a good poem into being, no matter how hard you study, work, practice, workshop, etc, etc.
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IncognitoHFX



Joined: 06 May 2007
Location: Yeongtong, Suwon

PostPosted: Mon Oct 20, 2008 10:37 pm    Post subject: Reply with quote

Poemer wrote:
You cannot just will a good poem into being, no matter how hard you study, work, practice, workshop, etc, etc.


Agreed. You need opium to be a good poet. I wish more people would realize this...
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Scotticus



Joined: 18 Mar 2007

PostPosted: Tue Oct 21, 2008 2:57 am    Post subject: Reply with quote

Poemer wrote:

Well, the seeming improbability comes from your characterization, and perhaps limited understanding, of the idea that poetry can come from somewhere other than the ego.

It seems equally ridiculous to me that someone would think that poetry is exclusively an activity, like baking bread or building a bookshelf, that anyone can do with sufficient instruction, as opposed to an art that requires, yes, seriousness of mind and effort, but also a whole host of other things that are largely beyond the consciousness of the individual and certainly are beyond his/her control. You cannot just will a good poem into being, no matter how hard you study, work, practice, workshop, etc, etc.


Ironic that you would accuse me of "limited understanding" when you managed to miss a full third of the things I listed that are important for a good poet. I'll remind you:

Quote:
There is no invisible hand guiding the pen; only a person dedicated to their work with drive, talent and motivation.


So I list three things and you manage to spend an entire paragraph telling me how stupid I am for not listing the "intangible" aspects of the writer... even though I did. Congratulations.
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Poemer



Joined: 20 Sep 2005
Location: Mullae

PostPosted: Tue Oct 21, 2008 3:14 am    Post subject: Reply with quote

I didn't miss anything, if your definition of talent is what it seems to be based on your line of thought.

Cornfed referenced the importance of the "outside" in the process of poetic creation. You claimed that ANY good poet would say he was wrong. I pulled two names off the top of my head that wouldn't. You claimed that there is "no invisible hand." I say that the invisible, something apart from the ego, IS present in almost all great poems.

So, I guess if you want to define what you mean when you say "talent," we can discuss whether I missed anything.
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moosehead



Joined: 05 May 2007

PostPosted: Tue Oct 21, 2008 5:20 am    Post subject: Reply with quote

albeit for me to respond to this -

I've yet to read any of these posts mentioning - inspiration -

am not sure why - ?

did you forget about it? it can't be you don't believe in it - ? poets are diehard romantics, after all.

whether the inspiration comes from a person, place, event, feeling - it's what gives motivation, what drives desire, what pushes the limit, up up and over the top.

I could never describe how to find it but I can tell you as certain as life and death itself - when you are inspired, you damn well will recognize it Wink

peace.
always nice to know some literate folks are around Cool
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southern boy



Joined: 29 Sep 2007

PostPosted: Tue Oct 21, 2008 5:47 am    Post subject: Reply with quote

Louie wrote:
Quote:
Rather than getting defensive, perhaps you could expand on what you think makes your poetry so great and why you think it's worthy of publication. Perhaps some more samples would bring the critics round.



Yeah, fair enough......


One of my best friends while I was in Korea and here was also one of my most biting critics.......he read the whole manuscript and crossed out the ones he said were not worth being in print, which was about 80% of them.......you think I am being defensive now, you should've seen me with him, but I guess it is different when criticism comes from a stranger or a friend.
You might know him, his username here was Lastat- I worked with him from 2000 to 2001 and we remained good friend all the way until he left Korea in 2006. When I arrived back in the states in 2007, we became friends again and virtually neighbors (he live a couple towns over from me in New Haven)...........too bad he died 2 months ago. He would've jumped head over heels when he found out I got it published, even leaving the ones he said were crap........


I'll post some more in my next response.....


Luoie;

Are you serious? I have never met him in real life but always thought him as a cool chap in these forums.
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poet13



Joined: 22 Jan 2006
Location: Just over there....throwing lemons.

PostPosted: Tue Oct 21, 2008 1:17 pm    Post subject: Reply with quote

sniff sniff
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blurgalurgalurga



Joined: 18 Oct 2007

PostPosted: Tue Oct 21, 2008 5:35 pm    Post subject: Reply with quote

To weigh in re: poetry and whether people with not much talent should bother with the stuff, I'd have to say that a world filled with rotten poetry is infinitely preferable to a world filled with nothing but spectators and a few gifted professionals. I totally disagree with the notion that Louie should 'give up,' just because a lot of people don't like his, uh, work.

Keep at it, I'd say, no matter how hideous your skills are: it's better than cringing from a fear of sucking, and worshipping dead poets who nobody will ever top.

I'd say that applies to any art form, except for busking, which should not be displayed unless it's pretty good.
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Cornfed



Joined: 14 Mar 2008

PostPosted: Tue Oct 21, 2008 7:56 pm    Post subject: Reply with quote

blurgalurgalurga wrote:
I totally disagree with the notion that Louie should 'give up,' just because a lot of people don't like his, uh, work.

I think he should develop himself by reading a lot of poetry, reading about poetic appreciation, reading about the technical aspects of poetry and perhaps having a lot of experiences likely to inspire poetry. Then if the Muses visit him, all to the good. If not, bad luck.
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Poemer



Joined: 20 Sep 2005
Location: Mullae

PostPosted: Tue Oct 21, 2008 8:24 pm    Post subject: Reply with quote

About "talent"-- The single most important talent that a poet can have is the ability to remove himself from the poem, to allow the poem to say what it wants to say. Spicer likened a good poet to a good radio, a good radio is capable of picking up a signal and transmitting it, free from added interference, to the listeners ear. A poet needs to let the poem say what it wants to say, which is almost never what the poet intended. The intent of the poet matters little, in fact it can be harmful. Spicer also used to say that when he wrote a line and then thought to himself, "wow, that's great, that's exactly what I wanted to say." he was immediately suspicious of that line. Great poets are good at buying the ingredients and setting the table, but the poem does the real cooking. It is the job of the poet to stay out of the way and notice when he is spoiling the broth. So, if we think of "talent" as someone consciously employing some special gifts to write a poem, for example having a great rhythmic awareness, or an uncanny ability to choose the right word, or a strong sense of imagery, none of this talent will ever help them write a good poem if they aren't able to accept the invisible hand when they sit down and write. It has been my experience that thinking too much while writing is just about the worst thing you can do. So, I amend my previous list: You cannot just will a good poem into being, no matter how much TALENT, hard work, study, practice, workshopping, etc, you put into it. The talent that matters is the ability understand that the poem has something to say, the poet is just an assistant.

About inspiration-- 18th century German and British poetry is not my favorite kind. I'm not a romantic. If by inspiration, you mean those moments when the language just flows, as if a dam has burst open and the poem just writes itself, then yes, I believe in inspiration. If you mean a moment when the poet says, "Aha, I know what I want to say and how I will write it" then see the above point.

About "keeping at it"-- Poetry is an art, like painting or playing an instrument. Anybody can paint a picture, play an instrument, or write a poem. The difference is that poetry out of all the art forms, is probably the least appreciated. "Lots" of people go to concerts, and art galleries, but hardly anyone reads poetry. People are relatively familiar with what music is supposed to sound like or what a painting is supposed to look like, they hear and see these things every day, but they have no idea what a poem really is because, by comparison, they rarely encounter them. Far fewer people think they are artists just because they painted a picture once or consider themselves accomplished musicians because they played flute in high-school than really believe they are good poets because they write bad paragraphs that are broken up into verse form. When is the last time someone posted on Dave's and said, "Hey listen to this sound file, I'm a great player! What you don't think so? Well, I have a big record contract, so ha!" The literary arts have, like maybe, a gajillion more pretenders and hack hobbyists than all the other arts combined, just to be specific.

Just because every educated human without severe arthritis or a disfiguring thumb injury can pick up a pen and put words down on the page, it doesn't mean they are poets and should go around showing their poems to anyone who will read them and beg for validation. Everybody should read and write poetry if they want to, there are benefits. The problem is when people have illusions about the quality of their work, which should be written and kept in a drawer or shown to a friend for fun, not paraded around as if it were of artistic worth.
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