View previous topic :: View next topic |
Author |
Message |
maddog
Joined: 08 Dec 2005 Location: Daegu
|
Posted: Sun May 14, 2006 6:25 am Post subject: need a new digital camera |
|
|
I'm torn between the Fujifilm s9500 and the Panasonic FZ30. I've heard a lot about noise levels on the FZ30. Is it as bad as some people say. I've seen some night shots on the web and they look pretty bad, but that's viewed from a monitor. The S9500 has better ISO performance but does this make up for the lack of IS. I'm kinda swaying in the direction of the Fuji but I'd like some opinions before I spend $500+. Cheers
MD |
|
Back to top |
|
 |
Nemesis

Joined: 29 Jan 2006 Location: Shanghai
|
Posted: Sun May 14, 2006 7:07 am Post subject: |
|
|
The Panasonic FZ-30 is awesome. Big meaty grip, 12x zoom and a great image stabilizer.
That said, you're right about the noise in low light levels. Here's a low-light test shot from my tank that shows the mad graininess you'll have to deal with:
With enough ambient light, however, you'll get pretty clear shots.
NOTE: This from a guy too lazy to read the cam manual. Usually I just shoot rapidfire in auto mode and hope for the best. Heh. |
|
Back to top |
|
 |
the eye

Joined: 29 Jan 2004
|
Posted: Mon May 15, 2006 1:42 am Post subject: |
|
|
the best deal going IMO is the Canon S2 IS. It has image stabilization (IS), 12x digital zoom, 5mpixels, and it can take still shots in movie mode.
the macro setting is also quite good.
i picked 1 up at the yongsan electronics market with a cleaning kit and a 1gig memory card for 380grand. it was the third or fourth sales desk on the left in the camera building. |
|
Back to top |
|
 |
jinju
Joined: 22 Jan 2006
|
Posted: Mon May 15, 2006 1:48 am Post subject: |
|
|
WHY do you need zoom? 99% of the time I have a 50mm lens on my camera. Ansolutely no zoom. I zoom with my legs. Why not get a Nikon D50 which is an entry level DSLR and should be CHEAP now and a nice 50mm lens which is like 100 dollars? You will be able to do stuff those junky points and shoots wont even be able to come close to, and no need for image stabilization as a 50mm f/1.8 lens is fast enough for you to not need any IS. Shoot at high iso like 1600 and thanks to the sensor size you will get much less noise than a point shoot will have at ISO 400. |
|
Back to top |
|
 |
Col.Brandon

Joined: 09 Aug 2004 Location: Seoul
|
Posted: Mon May 15, 2006 5:53 pm Post subject: |
|
|
Zoom is useful for stuff like an air show where what you're shooting is a bit difficult to walk up to because there's an armed marine guarding the barrier, or the subject in question is 500+ m in the sky going at the speed of heat.
Sometimes I'd like to be able to zoom out, too. This is useful when there's a danger of my legs carrying me over a cliff or backing into something solid.
But then I'm not an expert. |
|
Back to top |
|
 |
indytrucks

Joined: 09 Apr 2003 Location: The Shelf
|
Posted: Mon May 15, 2006 7:07 pm Post subject: |
|
|
jinju wrote: |
WHY do you need zoom? 99% of the time I have a 50mm lens on my camera. Ansolutely no zoom. I zoom with my legs. |
The debate between primes and zooms rages on I see. I personally like zooms as I find they are a little more versitiale and shooting film you don't lose that much on image quality (if you shoot quality glass that is), but I also own a couple of primes. Both have their merits. I do agree that "zooming with your legs" is a good way for someone new to photography to learn "how to see", improves composition and allows you to assess the limits of your equipment (not saying you are a photo newb jinju ... just an example for someone who is).
I agree that for the money spent on a fancy dan point and shoot, you could get an entry level DSLR and a decent standard lens instead (either a fast 50mm or a semi-fast 28-70 zoom). Or you could take the same cash and get a film SLR and lenses. Long live film! |
|
Back to top |
|
 |
jinju
Joined: 22 Jan 2006
|
Posted: Mon May 15, 2006 7:23 pm Post subject: |
|
|
indytrucks wrote: |
jinju wrote: |
WHY do you need zoom? 99% of the time I have a 50mm lens on my camera. Ansolutely no zoom. I zoom with my legs. |
The debate between primes and zooms rages on I see. I personally like zooms as I find they are a little more versitiale and shooting film you don't lose that much on image quality (if you shoot quality glass that is), but I also own a couple of primes. Both have their merits. I do agree that "zooming with your legs" is a good way for someone new to photography to learn "how to see", improves composition and allows you to assess the limits of your equipment (not saying you are a photo newb jinju ... just an example for someone who is).
I agree that for the money spent on a fancy dan point and shoot, you could get an entry level DSLR and a decent standard lens instead (either a fast 50mm or a semi-fast 28-70 zoom). Or you could take the same cash and get a film SLR and lenses. Long live film! |
Well, Im probably going to trade in my 17-35 zoom for a prime 28mm. Why? SPEED baby, speed. The fastest zooms are slow. My 17-35 is f/2.8 at 17mm and a horrible f/3.5 at 35mm. Its just too damn slow. Im also going to be selling or trading in my 50mm f/1.8 and getting a 50mm f/1.4. I prefer them to zooms for a lot of reasons. better quality shots, faster, and the ability to get a really shallow dof something a zoom will never give you. I also really like composing with them as well. Most of the legends shot with primes and zoomed with their legs. I do agree that a zoom is useful for things like air shows..I guess that I should be thankful that I never shoot airshows or sporting events or other such events:) |
|
Back to top |
|
 |
indytrucks

Joined: 09 Apr 2003 Location: The Shelf
|
Posted: Mon May 15, 2006 7:40 pm Post subject: |
|
|
All my zooms are fast enough for my purposes (a constant f/2.8 at either end, with the exception of 17-40 f/4 which I usually use for landscapes and sits on a tripod anyway) and unless you're shooting a lot of stuff indoors with low light with no flash/tripod, then I think f/2.8 is plenty fast enough. If I find myself shooting indoors, I'll just use faster film (ISO 800 or 1600), or push 400 ISO 2 stops ... no big deal. I also really don't see much of a difference in DOF or bokeh at f/2.8 or f/1.8. I usually don't like to shoot wide open anyway ... I'd rather stop down a few steps, as I find some lenses go a bit soft wide open.
I think it all depends what your photographic style is and what gear best suits your purposes.
PS I've got the 50mm f/1.4. It sits in my bag a lot of the time. Perhaps I should use it more. I bought it in a shop in Namdaemun for about 400k. |
|
Back to top |
|
 |
jinju
Joined: 22 Jan 2006
|
Posted: Mon May 15, 2006 7:51 pm Post subject: |
|
|
indytrucks wrote: |
All my zooms are fast enough for my purposes (a constant f/2.8 at either end, with the exception of 17-40 f/4 which I usually use for landscapes and sits on a tripod anyway) and unless your shooting a lot of stuff indoors with low light with no flash/tripod, then I think f/2.8 is plenty fast enough. If I find myself shooting indoors, I'll just use faster film (ISO 800 or 1600), or push 400 ISO 2 stops ... no big deal. I also really don't see much of a difference in DOF or bokeh at f/2.8 or f/1.8.
I think it all depends what your photographic style is and what gear best suits your purposes.
PS I've got the 50mm f/1.4. It sits in my bag a lot of the time. Perhaps I should use it more. I bought it in a shop in Namdaemun for about 400k. |
The 50mm f/1.4 is my dream now. i might put it on my camera and never take it off.
Actually I love to shoot indoors, moe so than outdoors sometimes. And often I shoot in low light conditions. Also, I love bokeh so Im addicted to shallow dof. at f/2.8 its just not shallow enough for my tastes. I see a HUGE difference at f/2.8 vs 1.8 in terms of bokeh. Theres a shot I did of 2 masks in namdaemun and at 2.8 it was crap, too much background visible. At 1.8 it came out like a dream. If you arent using the 1.4 would u sell it? I found a store that will sell it to me for 350,000. |
|
Back to top |
|
 |
indytrucks

Joined: 09 Apr 2003 Location: The Shelf
|
Posted: Mon May 15, 2006 8:08 pm Post subject: |
|
|
You've got me thinking now ... perhaps the 50mm should get more play.
BTW, at the same shop I bought the 1.4 I asked about the 50mm f/1.0L. If you love shallow DOF and creamy, dream-like bokeh, then apparently this is the lens for you, or so I've read. Other-worldly kind of stuff. One problem ... the price.
Yours for only 2.2 mil. Yikes. |
|
Back to top |
|
 |
jinju
Joined: 22 Jan 2006
|
Posted: Mon May 15, 2006 8:20 pm Post subject: |
|
|
indytrucks wrote: |
You've got me thinking now ... perhaps the 50mm should get more play.
BTW, at the same shop I bought the 1.4 I asked about the 50mm f/1.0L. If you love shallow DOF and creamy, dream-like bokeh, then apparently this is the lens for you, or so I've read. Other-worldly kind of stuff. One problem ... the price.
Yours for only 2.2 mil. Yikes. |
yep. Ive salivated over the thought of f/1.0 but the price is INSANE. 1.4 is plnty enough for me. If you want close to 1.0 you can always get the 85mm f/1.2 for not even half the price of the 50mm. Either would be great for freezing action in dark conditions. Even the 1.8 is good enough for that. |
|
Back to top |
|
 |
|