I remember following up on my variation* of the 'Gratitude' activity in Davis & Rinvolucri's
Dictation by asking the students to pair up** and write out the story in the form of individual scripts that each pair could then perform if they so wished. The principle of establishing a clear plot structure in everyone's minds, of providing a textual basis for the generation/"creation" of personal speech, certainly suits less extroverted or risk-taking learners (e.g. Chinese students), and can be used with a variety of stories; and there is usually still plenty of subtle and interesting variation among the resulting scripts.
http://books.google.co.uk/books?id=vsJG ... n#PPA13,M1
Don't forget however to also develop activities that encourage fluency in more a direct to reported direction!
*My variation was to simply put the students into groups of three or four, pre-teach/check some of the vocabulary, and then dictate the story to them in a somewhat jumbled sentence order (I would begin with 'The next day, the plane crashed!'), before (I the teacher) establishing/checking the correct sequence of the sentences/sentences' numbers and the actual language of each of those sentences. This all avoided the "need" to board any "dodgy" language that "needed" correcting (I would find it a bit bizarre to board, as the authors suggest, possible student readings such as 'Ze boss asked Peter why', if I knew/could
obviously guess what 'Ze' actually meant, and especially if I
knew the story (which obviously I would do, as the teacher who'd prepared it!)), or the need for making any paper slips at all (EFL can often appear a bit too much of a big jigsaw reading paperchase! That is, jigsaw texts are overused, I feel), and ensured that everybody would understand the story quicker and more clearly (bearing in mind that my goal was not so much correction etc as Davis & Rinvolucri suggest, but rather a direct-speech scripted roleplay based on the story as more swiftly relayed by me).
**Groups of 3 or 4 students increased the number of ears available to catch my variation on the reading of the jumbled 'Gratitude' activity's sentences (and I'd repeat each sentence twice, by the way), but for the extension activity of script-writing, breaking into pairs seemed to help encourage closer collaboration and creativity. Students sometimes liked to assign (or be told to assign!) themselves/each other/agree upon one or other of the roles before commencing writing, thereby clearly dividing the creative effort and potentially providing a chance to become more familiar with their own lines (in preparation for their possible performance!).