DISPELLING SOME MISPERCEPTIONS ABOUT LITERATURE IN EFL
Posted: Sun Jul 09, 2006 1:40 am
As a curriculum specialist whose research centers on the use of literature with secondary and tertiary level Chinese EFL students, I'm a bit dismayed by some of the misperceptions out there concerning this approach.
Richard Day, an expert in extensive reading and professor in the world-renowned Second Language Studies Department at the University of Hawaii-Manoa dissuades us from use of the term "authentic literature." Who determines what is authentic? Carefully crafted graded readers, adapted works from the canon, and much young adult literature can and should be classified as literature worthy of instruction. He has coined a term for it: language learner literature.
I cringe whenever I hear teachers lament the lack of suitable literature or, worse yet, insist on teaching the "classics." Works not yet part of the canon have been called "contemporary classics," so what of it? The labels we attach to these materials reveals much about our teaching mindset and should compel us to call into question some of our assumptions about what constitutes good reading. Otherwise, a slew of worthy prose and poetry gets overlooked and our students are impoverished for it.
While Steinbeck and Hemingway are quite accessible, we can and should dig deeper. Before I began to pontificate, I'd like to welcome a robust dialogue on this issue. The very fact that this thread exists is an encouraging sign, so let's make the most of it!
Richard Day, an expert in extensive reading and professor in the world-renowned Second Language Studies Department at the University of Hawaii-Manoa dissuades us from use of the term "authentic literature." Who determines what is authentic? Carefully crafted graded readers, adapted works from the canon, and much young adult literature can and should be classified as literature worthy of instruction. He has coined a term for it: language learner literature.
I cringe whenever I hear teachers lament the lack of suitable literature or, worse yet, insist on teaching the "classics." Works not yet part of the canon have been called "contemporary classics," so what of it? The labels we attach to these materials reveals much about our teaching mindset and should compel us to call into question some of our assumptions about what constitutes good reading. Otherwise, a slew of worthy prose and poetry gets overlooked and our students are impoverished for it.
While Steinbeck and Hemingway are quite accessible, we can and should dig deeper. Before I began to pontificate, I'd like to welcome a robust dialogue on this issue. The very fact that this thread exists is an encouraging sign, so let's make the most of it!