Hello everyone!
I have a lot of resources. It's taken me over twenty years to accumulate these resources and I am constantly adding more items to that list of "things to do". These resources are the details. However, under all this, there is of course a grand plan.
I do plan my classes down to the day-to-day details. I hardly every follow those plans exactly, because they are almost always made before my first class with a particular group. Those plans will change based on my perceptions of the group dynamics. I have the resources necessary to make those "think on your feet" changes while always following that grand plan.
Yesterday my fellow teacher and I gave out the evaluation forms for an adult class, cleverly titled "Commercial English" (marketing!). Most of the fifteen students rated my colleague and I as either 3 or 4 on a scale of 4 (4 being very good). A couple rated me better than her, and one rated me as a 2 while rating my partner as a 4. My partner and I had a good laugh comparing the results, "look, I beat you here.... look what they said about you there!", but we are both quite sure of our work as teachers and scales of 1 to 4 on general evaluations that also ask about the air-conditioning in the classroom don't have a lot of influence on our development as teachers.
However, that "2" that I received reminded me that perhaps a review of objectives was needed in this class, for at least one person. I am a fun teacher and my classes are fun, and that's in part what they pay me for, so it never impresses me that the majority of a class rates me well. I have to address that single individual who rated me as simply average, find out if there has been a confusion in the objectives of the student and those of the teacher.
My objectives, this grand plan, is always "to provide the student with a framework for self-improvement, using the language itself as an example of how to work alone, how to attain good study habits that will result in good linguistic habits, as much in using English as a communicative device as in always improving on that device." This can be seen in one of the first lectures (yes, I do give four or five different "lectures" in any class I take on, they are the same for everyone) that I offer:
Regularly, Repeat, Review, Reward. The individual exercises that we do, the pronunciation with minimal pairs, the sentence transformation drills, the short role-plays in every-day situations, the song cloze exercises, the detailed work with video, all of this material is basically example material to illustrate how the student can, should, must, ought to do the most of the work him/herself.
I like the word "habit" which has appeared here. Part of the process of learning to use a language is the acquisition of habits, often new habits. As Larry points out, "A fossilization is only a habit", that is, it is a behavior that has been accepted by the individual (right or wrong has little to do with it here, I believe) and that is then used consistently by that individual when the circumstances call for it. I don't know if, as Larry also points out, these habits can be changed in an instant, but I do agree that they can be changed, and under the criteria boldly stated by Larry as well: "IF THE STUDENT IS PAYING ATTENTION TO HIS PERFORMANCE".
I try to make it clear to my students that I haven't got the magic wand that will make them speak English. I can inform them, I can comment on their mistakes, I can offer them homework, material, practice techniques, time organization, even lists of vocabulary if they want (that last I usually refuse to do, but in the end, if they insist, they are the customer and often believe that they are right!

). However, if you want to learn to play the guitar, you have to sit down every afternoon and play it. If your objective is to strum out a couple of basic chords, then you won't have to get into sight-reading (if you have a good ear). If you want to learn a great variety of music, develop an interesting repertoire, you might have to study tablature, or even regular scores, and teach your fingers to move about in the right way. In the end, changing from Sol to Re in this or that song cannot always be a case of theory, must convert itself into a habit. And you will get it wrong hundreds of times before you get it right. And you yourself will hear that error and will correct it yourself. And you will save your guitar teacher the horrible boredom of telling you once again how to make that chord change.
Sorry, this is too long now, have more to say, but will make lunch first, organize my thoughts, and continue a little later. Did want to thank Roger and Larry for their nice words and thoughtful comments on what I have shared in this forum. I try not to make anyone get huffy with me and sometimes I feel like my "neutral" approach leaves me on the sidelines. Thanks for making me feel included!
peace,
revel.