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Nowhere Man

Joined: 08 Feb 2004
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Posted: Wed May 10, 2006 3:13 am Post subject: Did Bob Marley "break" reggae? |
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All respect to dub, but...
For me, the only thing that can touch Bob is the "Harder They Come" soundtrack.
That was '72.
After his death, no one is even close.
Ziggy is good, but far from the level.
Finlay Quaye, but that's a bit different.
Toots and Lee Perry are still performing, but...
if we're to face up to it, no one's made a new reggae standard to match Bob's songbook, have they? |
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SPINOZA
Joined: 10 Jun 2005 Location: $eoul
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Posted: Wed May 10, 2006 4:08 am Post subject: |
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It's all rather repetitive if you ask me. Of course one will find some degree of similarity in any style of music, but Marley's songs all began with the exact same drum roll! If you've heard one, like ac/dc, you've heard the lot. That said, I do like 'Natural Mystic' and 'Iron Lion Zion'.
I love 'Police and Thieves' by Gregory Isaacs and 'Chase the Devil' by whoever that was, but, yes, Marley seems to be master of an extremely tedious genre. |
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Moldy Rutabaga

Joined: 01 Jul 2003 Location: Ansan, Korea
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Posted: Wed May 10, 2006 4:24 am Post subject: |
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Reggae does seem to be a little limited in what it can do, but then, people say the same about blues. But there has been some growth in what reggae is in the last thirty years, partly in the production values, partly in the lyrical depth, and maybe also in the range of instruments or techniques used.
Who else--dunno-- Peter Tosh? Pato Banton?
Ken:> |
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Satori

Joined: 09 Dec 2005 Location: Above it all
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Posted: Wed May 10, 2006 4:25 am Post subject: |
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SPINOZA wrote: |
It's all rather repetitive if you ask me. Of course one will find some degree of similarity in any style of music, but Marley's songs all began with the exact same drum roll! If you've heard one, like ac/dc, you've heard the lot. That said, I do like 'Natural Mystic' and 'Iron Lion Zion'.
I love 'Police and Thieves' by Gregory Isaacs and 'Chase the Devil' by whoever that was, but, yes, Marley seems to be master of an extremely tedious genre. |
A typical comment from someone who's heard "One Love" and "Get Up Stand Up" and thinks they know something about Marley...
There is massive variety in the Marley cannon. And I agree with the OP, no one has touched Marley in the reggae genre... |
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Tiberious aka Sparkles

Joined: 23 Jan 2003 Location: I'm one cool cat!
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Posted: Wed May 10, 2006 5:30 am Post subject: |
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I'm surprised 'Mr. Brown' has never, to my knowledge, been sampled on a hip-hop record.
Sparkles*_* |
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Nowhere Man

Joined: 08 Feb 2004
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Posted: Wed May 10, 2006 7:48 am Post subject: ... |
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Not sure if it's a joke,
but
I know Public Enemy has sampled "Mr Nesta". |
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Satori

Joined: 09 Dec 2005 Location: Above it all
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Posted: Wed May 10, 2006 7:55 am Post subject: |
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There is a house remix of "Sun Is Shining". I am a dedicated house head, but I dont think Marley right for a house sample. But he is ripe for hip hop. It's suprising it hasnt happened a lot more.
By the way, There is an album called "Chant Down Babylon" which features a bunch of comtemporary urban artists covering and remixing some Marley Classics, and it's def worth a listen.
To those who say reggae, or at least Bob Marley, is always the same I say this...if you only focus on the "chikka chikka" guitar which is a staple feature of the genre, you might get that impression. But if you hone in on the complex and spacious interplay between the bass and the drums, you'll find each Marley track has a very strong and unique identity. Reggae is groove music, so you're not going to get wild swings in style and feel within one track. But track to track, each song is unique, it is definitely not cookie cutter music, speaking only of Marley here. |
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tiger fancini

Joined: 21 Mar 2006 Location: Testicles for Eyes
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Posted: Wed May 10, 2006 3:52 pm Post subject: |
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Right now, I think Damian Marley is one of the freshest talents in reggae. 'Jamrock' is a wicked album ,but its predecessor 'Halfway tree' is even better. The thing with reggae music is that its not really exposed to the mainstream, or at least it wasn't during the years following Bobs death. However, I think that this was the time that reggae music really blossomed, when guys like Gregory Issacs, Dennis Brown, John Holt and Dillinger were making some serious tunes.
Bob Marley is rightly credited for taking the music to a worldwide audience, but has inadvertently become the Phil Collins of reggae. Your older brother probably likes him. Maybe your Dad too? |
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Eunoia

Joined: 06 Jul 2003 Location: In a seedy karakoe bar by the banks of the mighty Bosphorus
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Posted: Wed May 10, 2006 4:57 pm Post subject: |
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tiger fancini wrote: |
Bob Marley is rightly credited for taking the music to a worldwide audience, but has inadvertently become the Phil Collins of reggae. |
...except that Bob Marley wrote and recorded good music that people still listen to. |
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RACETRAITOR
Joined: 24 Oct 2005 Location: Seoul, South Korea
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Posted: Wed May 10, 2006 6:20 pm Post subject: |
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I used to DJ at a reggae club, and nothing would annoy the other DJs more than someone requesting Bob Marley. It shows you don't know anything about reggae so you'd just request the only name you know. Thanks, genius. I didn't mind as much because I have a bunch of his earlier ska stuff that's pretty decent.
The problem with Bob Marley is people don't bother looking much farther than him for great reggae music. I've had that problem whenever I talk with Koreans about reggae and ska; they only know Bob Marley and Sublime, which isn't enough to get yourself into the genre (whatever genre Sublime counts as).
And I want to make an even more prudent argument: ska-punk broke ska (though there are a ton of great traditional ska bands out these days).
PS: Chase the Devil is sung by Max Romeo (and recently by Madness). |
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skinhead

Joined: 11 Jun 2004
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Posted: Wed May 10, 2006 6:33 pm Post subject: |
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The ska it came out of is also regarded as monotonous by some, but admittedly there is a certain definable backbeat that defines its roots. However, the diversity of musical styles independent of the stereotypical reggae structure that has sprouted as a result of ska and reggae is enormous. Fancini is right in that Marley popularised it, maybe even militarised it for his cause, and he created great variety and interplay in his mix of righteous anger and a yearning for brotherhood and peace. He mixed it with gospel, blues, and a certain archetypal Trenchtown pop, which is what most people think of when His Greatness is mentioned. Furthermore, the themes he develops in his lyrics are as diverse as in any other genre of music. It's true heartland music, born out of a spirit of oppression and was largely a response to the politics of poverty, using the tools at hand to make its own thing. That it spread globally out of English ghettos is testament to its appeal across borders. That it has its detractors who pass it off as a tedious genre may be due naturally to the geopolitical parameters of its beginnings. Bob Marley was one among many. His Perry stuff is different from his ska stuff which is different from his Blackman/Island stuff. Sure he was the vanguard, but those who came before, after, as well as some of his contemporaries provide more than enough variety within reggae. Removed from its cultural roots, it can and often does dumb down somewhat to what Satori has so eloquently described as the 'chika. chika.' pattern. At least that's what I always got from it anyway.
Best reggae I ever heard was not Bob Marley, but a band out of Germany I have conveniently forgotten the name of. A mate of mine threw it on a few months ago and I automatically assumed it was Jamaican, but nope - whitefellas. Best reggae out of Jamaica for me is Burning Spear - still burning strong today. I've got a soft spot for the Trenchtown horns. Throw in a trombone, a couple of trumpets and a sax and I'm in hog heaven. Don't narrow your mind down too much; mix it up; investigate. If you don't like reggae, "oh no", just forget about it.
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ska-punk broke ska (though there are a ton of great traditional ska bands out these days).
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Largely, yeah. Many of those early London punks were weened on it. |
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tiger fancini

Joined: 21 Mar 2006 Location: Testicles for Eyes
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Posted: Wed May 10, 2006 6:37 pm Post subject: |
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RACETRAITOR wrote: |
And I want to make an even more prudent argument: ska-punk broke ska (though there are a ton of great traditional ska bands out these days).
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Ska is pretty big business again, my mate plays in a ska band and they are wicked. Not sure what you're trying to say though, do you mean that bands like the specials and rancid 'broke' (as in destroyed) ska music? |
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indytrucks

Joined: 09 Apr 2003 Location: The Shelf
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Posted: Wed May 10, 2006 6:51 pm Post subject: |
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RACETRAITOR
Joined: 24 Oct 2005 Location: Seoul, South Korea
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Posted: Wed May 10, 2006 8:27 pm Post subject: |
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Wow, so the other "skinhead" does know something about ska. The German band/guy you're trying to think of could have been Dr Ring Ding. Even if I'm wrong, give him a listen.
tiger fancini wrote: |
Ska is pretty big business again, my mate plays in a ska band and they are wicked. Not sure what you're trying to say though, do you mean that bands like the specials and rancid 'broke' (as in destroyed) ska music? |
I'd count the Specials among one of the bands these days more respectful for the roots. If you listen to any of their last albums, like Skinhead Girl or Conquering Ruler, they're filled with covers forgotten ska and reggae classics. Madness is doing the same. Both bands are two-tone, not ska-punk. Two-tone wasn't a bad thing for ska.
Just because you're a punk and you play in a ska band doesn't make it "ska-punk." Most current traditional ska bands are stuffed with punks and skins; just look at the Slackers or the Operators or the Aggrolites. And most ska-punk bands I've seen have been staffed with non-punks.
I'm not sold on Rancid because they're a punk band first. I'm talking about bands like Reel Big Fish and No Doubt and Goldfinger and all those godawful bands that cashed in on the trend of playing awful music that was neither punk nor ska, and then moved on to other things as soon as they'd sucked all the money out. It was basically invented by record companies and almost none of the real ska bands at the time saw any money from it. Now when you mention ska, people don't think of bluebeat or two-tone; they think of white guys in frats playing embarrassing music. |
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seoulsucker

Joined: 05 Mar 2006 Location: The Land of the Hesitant Cutoff
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Posted: Wed May 10, 2006 8:55 pm Post subject: |
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One reggae group I've always been into is Steel Pulse. Even some of their 80's UB40ish stuff is pretty cool. |
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