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jr1965
Joined: 09 Jul 2004 Posts: 175
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Posted: Thu May 05, 2005 4:02 pm Post subject: |
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Rick,
The first time I taught excerpts from the JLC was in Korea. I was teaching a 12-week course to mostly first-year college students who were at an advanced level.
We focused on the relationship between Lindo Jong and her daughter Waverly. We read "The Red Candle" "Rules of the Game" and "Four Directions."
The students in class were all old enough to understand (and sympathize with) Waverly's situation. Many of them had lived through something similar (parents who wanted them to do better than they did, always pushing the kid to do better, do more, be the best; who try to live through their children, etc etc). We explored the metaphor of chess used in "Rules of the Game" and "Four Directions" and discussed how Waverly�s relationship with her mother was that of pawn to queen. The stories also brought up for ss generational issues (Lindo Jong = traditional values; Waverly = modern young woman). If I recall correctly, we read "The Red Candle" last--b/c this is the story in which Waverly's mother recalls her own youth. It was interesting after having read the other two pieces to go back and see that Lindo Jong had once been a girl with many of the same wishes and hopes as Waverly. Everyone responded well to all of the stories b/c of the universal themes explored.
Forgive me, I�m writing this very quickly and have little time today to say more, though there is a lot to talk about in terms of how we went through the stories; what things were most challenging for the students, etc. Will write more on the weekend.
JR |
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Deconstructor

Joined: 30 Dec 2003 Posts: 775 Location: Montreal
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Posted: Sat May 07, 2005 2:24 pm Post subject: |
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I think authentic literature is absolutely essential to ESL/EFL learning. In fact, I believe that all ESL texts should be scrapped and replaced with authentic material such as magazine/newspaper articles, short stories/novels, DVD documentaries/talk radio.
This way we would help students save money and we would put out of business all the charlatans who write ESL/EFL books such as Spectrum (by far the worst text ever produced) American Inside Out (a close second) and all the rest like Headway and Interchange that are at best minimally boring, extremely trite, condescending, patronizing and insulting to both teachers and students. They treat students and teachers as if they were five year old autistics. All ESL/EFL authors should be put up against the wall shot and pissed on. |
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dyak

Joined: 25 Jun 2003 Posts: 630
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Posted: Sat May 07, 2005 2:54 pm Post subject: |
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| Decon wrote: |
| All the [ESL/EFL] authors should be put up against the wall shot and pissed on. |
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Unit 17 - The Media
should/shouldn't passives
1. Discuss the quote above with a partner. Decide on the best order for the actions suggested then compare with another pair. Give reasons for your decisions.
Example: ESL/EFL authors should be shot first because...
2. Find out if anyone in the class has been shot, pissed on or put up against a wall. Report your findings to the class using the passive.
Example: Mario has been pissed on once but Abdul has been shot twice... |
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Deconstructor

Joined: 30 Dec 2003 Posts: 775 Location: Montreal
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Posted: Sat May 07, 2005 4:09 pm Post subject: |
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| dyak wrote: |
| Decon wrote: |
| All the [ESL/EFL] authors should be put up against the wall shot and pissed on. |
| Quote: |
Unit 17 - The Media
should/shouldn't passives
1. Discuss the quote above with a partner. Decide on the best order for the actions suggested then compare with another pair. Give reasons for your decisions.
Example: ESL/EFL authors should be shot first because...
2. Find out if anyone in the class has been shot, pissed on or put up against a wall. Report your findings to the class using the passive.
Example: Mario has been pissed on once but Abdul has been shot twice... |
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Hey Dyak, really funny! Hope this means that you agree with my violent uprising against all ESL/EFL texts! |
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dyak

Joined: 25 Jun 2003 Posts: 630
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Posted: Sat May 07, 2005 4:55 pm Post subject: |
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| Decon wrote: |
| Hope this means that you agree with my violent uprising against all ESL/EFL texts! |
Completely! I've lost count of the amount of times I've seen 'advanced' students have a very hard time understanding newspaper articles and especially film reviews; often to the extent of not being aware of humour, irony, sarcasm and even what's positively and negatively phrased.
A stream of contrived coursebook texts about Feng Shui and great inventions does nothing for reading skills. My French teacher gave us nothing but authentic readings and listenings once we had the basic grammatical structures down. Man it was hard, but even years later I can read and understand a French newspaper or listen to the radio... and I'm really not 'advanced'. |
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Stephen Jones
Joined: 21 Feb 2003 Posts: 4124
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Posted: Sat May 07, 2005 5:51 pm Post subject: |
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What does Decon dislike so much about the post First Certificate Headway Texts, or the fourth volume of Streamline?
What they suggest you do with the texts might be inappropriate but the texts themselves are an excellent basis for discussion, and in general pretty interesting. |
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dyak

Joined: 25 Jun 2003 Posts: 630
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Posted: Sat May 07, 2005 6:00 pm Post subject: |
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| I just find it disturbing that students can read, understand and insert sentences into a film review from an FCE or above text book but can barely understand an actual film review written by an actual film critic in an actual newspaper. |
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AsiaTraveller
Joined: 24 May 2004 Posts: 908 Location: Singapore, Mumbai, Penang, Denpasar, Berkeley
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Posted: Sat May 07, 2005 6:55 pm Post subject: |
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| dyak wrote: |
| I just find it disturbing that students can read, understand and insert sentences into a film review from an FCE or above text book but can barely understand an actual film review written by an actual film critic in an actual newspaper. |
Cautionary note: There are many critics (of film, music, theatre, and dance) who think it is their job to be just as "creative" as the genres they are writing about. So they fill their reviews with puns, allusions, trendy (or obscure) vocabulary, extremely convoluted syntax, and cutesy prose. There are critics whose writing I find just about impenetrable.
Don't blame your students! |
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moonraven
Joined: 24 Mar 2004 Posts: 3094
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Posted: Sat May 07, 2005 7:55 pm Post subject: |
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I agree that the textbooks are crap: pre-chewed and pre-digested to keep the students coloring inside the lines while learning a language. And I have yet to come across one that addressed the cultural situation or needs of Latin American students.
As for film reviews--and other written realia--students should read them--despite the flaws in the writing styles of some film critics. I know the business, as I was a film critic for a number of years in the US, and most of my "competitors"--in the sense that they were writing for other newspapers--nattered out drivel, told us the direction their thumbs were pointing, and gave stars or bombs. I can understand why students would find that a bit imprenetrable. But we aren't all cromagnon cine-crunchers. |
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Glenski

Joined: 15 Jan 2003 Posts: 12844 Location: Hokkaido, JAPAN
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Posted: Sat May 07, 2005 10:25 pm Post subject: |
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Perhaps a lot of ESL/EFL books are bad, but if I read you guys right, you'd like to have BEGINNERS start learning English by reading newspapers? Is that about right?
Silly and absurd. Running before crawling. |
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Deconstructor

Joined: 30 Dec 2003 Posts: 775 Location: Montreal
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Posted: Sat May 07, 2005 11:39 pm Post subject: |
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| Glenski wrote: |
Perhaps a lot of ESL/EFL books are bad, but if I read you guys right, you'd like to have BEGINNERS start learning English by reading newspapers? Is that about right?
Silly and absurd. Running before crawling. |
You missed the point. Absolute beginners need some base to start, and authenticity of material is irrelevant at this point. Once students develop a vocab of about 100 words, they can, and must, be introduced to authentic language. Keep in mind that one sometimes needs to understand a single word in a sentence to grasp the whole meaning, while it is entirely possible to understand every word in a paragraph and still be clueless as to its meaning. Context is everything. It is at this point that we must teach students to read, and listen for, ideas and not simply words. There are great many short texts, from advertising to headline news to short stories of human interest, which can be brought to class not to mention great documentaries. Of course, these are very difficult to teach and are a challenge both for the students and great teachers. You would be amazed how fast students progress.
What do we do instead? Make idiot authors of idiot ESL/EFL texts rich beyond their wildest unimaginations by cramming students with idiotic grammar points and expect beginners to master them when they can barely say, �toilet, please?� Once they reach (if they reach) intermediate level, we all become obsessed with nonsense such as the difference between present perfect and present perfect continuous or some such thing. Talk about walking before crawling as you put it.
Students must engage English and engage IN English if they hope to master it, that is, to go beyond intermediate level, which is where 90% are stuck permanently.
Today's English classes are simply this: boring, stupid, trite, inept, incompetent, and a profound waste of time and money.
Last edited by Deconstructor on Sat May 07, 2005 11:52 pm; edited 2 times in total |
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dyak

Joined: 25 Jun 2003 Posts: 630
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Posted: Sat May 07, 2005 11:48 pm Post subject: |
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Beginners need structure more than anything, they don't need to read from day one, it's not possible. I remember being about Pre-Int level when our French teacher thrust the authentic material upon us. It was too hard but I'm glad she did. She created the atmosphere of being in France, with films, texts, literature, music, radio... and we progressed as if there, once the shock had settled...  |
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Deconstructor

Joined: 30 Dec 2003 Posts: 775 Location: Montreal
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Posted: Sun May 08, 2005 12:05 am Post subject: |
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| dyak wrote: |
Beginners need structure more than anything, they don't need to read from day one, it's not possible. I remember being about Pre-Int level when our French teacher thrust the authentic material upon us. It was too hard but I'm glad she did. She created the atmosphere of being in France, with films, texts, literature, music, radio... and we progressed as if there, once the shock had settled...  |
I agree with you. This is why I said that beginner students need a base first. But learning another language means participating in it fully. The only way to learn how to swim is to jump into the pool, and no one suggests that they go off the deep end. But they need to get in there and start moving their arms and legs as best as they could. What we do in English classes today is tie students up, push them off the deep end and pretend that they can swim. This is all that the teacher will ever do. The leash shall never come off and if it does, the student will sink faster than he can say HELP!!! This shall be the extent of his English prowess. |
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Glenski

Joined: 15 Jan 2003 Posts: 12844 Location: Hokkaido, JAPAN
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Posted: Sun May 08, 2005 8:57 am Post subject: |
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So, are you defining an intermediate learner as one who has a vocabulary of only 100 words?
Regardless, I still think it is way too early to throw headline news articles (too difficult) and advertising (while short and to the point, much of it is not grammatically correct, nor complete, and a lot of it is full of slang, jargon, and idioms; all of which are too much to expect for someone with a 100-word vocabulary to sift through. I mean, 100 words is about 3 or 4 lessons worth of most vocabulary. Too soon and certainly in the deep end of the pool, as you wrote.)
I still agree that many ESL/EFL texts have mundane tasks in them, but to get people up to the intermediate level, I don't see as how you can put so much on their plates as news articles. Perhaps the country you live in has better students. Here in Japan, even six years of high school English doesn't prepare students for reading much beyond a Penguin level 3 graded reader, let alone a newspaper article or movie review. And, it certainly doesn't produce anything approaching an intermediate level speaker! |
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dyak

Joined: 25 Jun 2003 Posts: 630
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Posted: Sun May 08, 2005 11:32 am Post subject: |
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| Glenski wrote: |
| Regardless, I still think it is way too early to throw headline news articles (too difficult) and advertising (while short and to the point, much of it is not grammatically correct, nor complete, and a lot of it is full of slang, jargon, and idioms; all of which are too much to expect for someone with a 100-word vocabulary to sift through. I mean, 100 words is about 3 or 4 lessons worth of most vocabulary. Too soon and certainly in the deep end of the pool, as you wrote.) |
I think intermediates (should) have around a 1000 words, which is more than enough to cope with authentic material. Here I have students constantly telling me that they don't understand the TV, the radio, English people, newspapers but they understand everything in class. The reason being that they're never forced to cope with authentic language in a classroom, only the watered-down version they'll never encounter outside. As Decon said, when you really participate in a language, it is a steep learning curve but you'll be all the better for it... I know I am. Practical coping skills will push you beyond intermediate. |
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